Analysis of the inquisitors speech
De Stogumber interrupts the proceedings and denounces the court, asserting that eight hundred Englishmen wait outside, ready to burn The Maid.
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The Church can exist only when it has total authority, and it must stamp out any dissent or "Protestantism. His ferocity in demanding that The Maid be convicted and burnt as a witch is therefore dramatically contrasted to the change in his character after witnessing the actual burning of The Maid; now, his early ferocity and hatred turn inward upon him, and we see him ultimately as a repentant, sobbing hysterical man. In one of the most well-known scenes, the Inquisitor argues her guilt to the church court. Paradox is another one of the Inquisitors rhetorical strategies. Despite his logical fallacies including hasty generalization and faulty causality, he successfully did so. Of course, if the jury realizes that he had replaced real appeals with fallacies it would actually bring down his argument, but without that realization, it strengthened it to a point where he was willing to risk it. Joan's greatness and the turning point in this scene occur in her defiant act of tearing up her recantation. Through this contrast, he continues to appeal to the emotions of the court. He is thankful that The Maid asked for a cross because an English soldier was able to give her two sticks tied together for her final consolation. The Inquisitor takes different approaches to make his appeal and attempts to be knowledgeable and trustworthy in this situation.
Instead of avoiding it and letting Joan get away from what she has done based solely on her harmless look, he embraces the irony in it all which actually ends up working for his side of the case.
Here, Joan represents Shaw's dynamic "Life Force" — a force that cannot exist in the confinement of a dungeon hole.
The Inquisitor uses this type of rhetorical appeal to show the court how simple and innocent the beginnings of heresy can be, yet how wrong and influential heresy can be and why someone who had committed this variance of religious doctrine would need to be convicted.
His argument opened with an appeal to ethos. Despite his logical fallacies including hasty generalization and faulty causality, he successfully did so.
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With your writing skills, I don't think that will be a problem. Pssst… we can write an original essay just for you. Throughout Joan's testimony, in addition to her common sense, her gentle faith, her innocence, her simplicity, and her transcendent beauty shine through the depressing Inquisition as though it were her saintly halo. When verbally assured that he has heard the last of The Maid, Warwick, with a wry smile, wonders if he has truly heard the last of Joan of Arc. Then, unexpectedly, the Executioner comes to report that the execution is complete. Indeed, throughout the entire scene, Joan is seen as a person of great common sense, a person whose answers are so incontrovertible that it makes her questioners seem like fools. Warwick wants assurance that no relics remain that could be sold; the Executioner, however, reports that Joan's heart would not burn, but that all the rest of her remains are at the bottom of a river. Instead, these individuals with the alleged power of destroying the church are close at hand and undetectable. Lastly, the author uses pathos throughout the entire essay to emotionally appeal to the church court. The devilish pride that had led her into her present peril had left no mark on her countenance. His argument opened with an appeal to ethos. This is your strongest body paragraph so far: it could definitely be expanded because the Inquisitor is appealing to lots of different emotions in the audience , but this is a good start. He will not lose any of the credibility he had gained by making his audience aware of his abundance of experience. Joan is placed on a rough wooden stool surrounded by her adversaries — with no one to defend her except herself and her innocence; her denial of a defense counsel is a contradiction of modern law, and of particular note here is the fact that all representatives of the Church maintain that she needs no defense because they all want to save her soul; this statement and all like it must be viewed as cruelly ironical and hypocritical because after Joan is convicted, the Inquisitor acknowledges that she was completely innocent.
He began his pairing of invalid arguments with a hasty generalization about woman who do what Joan did. When Joan balks at swearing to tell the truth once more for the tenth timeshe is threatened with physical torture. It was an understated form of irony used to take an opposing argument and destroy it, maybe even convert it into a supporting one.
I see what you're saying here, but I don't know if "symbolism" is the way to describe it. In the second half of his speech, the Inquisitor intensifies this fear through his characterization of Joan. The Inquisitor effectively applies extensive use of pathos to influence the church court.
But behind the Inquisitor's facade is an iron mind which knows that Joan is innocent, that she is not in league with the Devil, and that her failure to intellectually understand the charges will condemn her in spite of her innocence.
This is a really nice intro Jeana: it's short, clear, and to the point. His audience understands right away that he has had the experience of dealing with heresy and because of that his lack of tolerance for it is immediately respected.
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